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Their unsolved drive-by murders - Shakur’s in 1996, Biggie’s just six months later - will always be connected in the public mind, as they have been through multiple investigations and theories involving police corruption, retribution and the storied beef between West and East Coast rappers. Tinsley doesn’t break any new news on the double-barreled tragedy of Biggie and Tupac Shakur. Unfortunately, rap didn’t prove to be a long-term career either. “In the history of rap,” Tinsley writes, “it’s hard to think of many songs – if any exist – that serve as a more powerful introduction to an artist than ‘Juicy.’ In less than five minutes, Big managed to paint his life story in a way that, a quarter century later, the BBC would dub rap’s ‘quintessential Cinderella tale.’” Combs is a big reason we have songs like “Juicy” and “Big Poppa,” pop-savvy cuts that allow the listener to luxuriate in Biggie’s charm. Those friends eventually led him to a young, headstrong music executive named Sean “Puffy“ Combs, whose vision for Biggie went beyond street tales and tapped into his unlikely but considerable sex appeal. He also had friends who could hear his raw talent - his wordplay, his wicked sense of humor, his gift for vivid, cinematic storytelling. He knew there was no such thing as a career selling crack.
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As Biggie himself rapped on the haunting “Things Done Changed,” “If I wasn’t in the rap game, I’d probably have a key, knee-deep in the crack game.”īut Biggie was no dummy. Tinsley is wise to the two-way street connecting drug dealing and hip-hop - each a means of moving up in the world, one much more dangerous than the other. As Tinsley writes, “For a teenager making thousands of dollars just off hand-to-hand transactions, school was never going to be able to compete.” This would be Biggie’s first career, and it would one day inform the crime stories that gave his best work its lived-in authenticity. He liked their nice clothes and fancy cars. He figured out early what the local crack dealers were up to. She saw America as a land of opportunity, much as her son would one day rap about the marvel of upward mobility in his hit single “Juicy.” Voletta settled in Brooklyn, where young Christopher would sit on their apartment stoop and watch the world go by: the hustlers, the working people, the schoolkids whom he would sometimes join in class, where he showed aptitude if not interest.īiggie’s real school was the street his goal was to make enough cash to ease his and his mother’s financial burden. Tinsley starts with the early life of Biggie’s mother, Voletta Wallace - in her native Jamaica and her passage to New York. In lesser moments, it piles up malformed sentences and typos at an alarming clip, but if you can get past those, it serves as a solid and incisive if rarely revelatory summary of a hip-hop legend’s life and art.
(Biggie was shot dead in Los Angeles in 1997 at age 24.) The book excels at big-picture analysis, taking the mission in its subtitle seriously. Hip-hop doesn’t get much more creative.Īt its best, Justin Tinsley’s new biography, “ It Was All a Dream: Biggie and the World That Made Him,” pays tribute to that creativity - and to the short life and blinding talent of the rapper who loved it when you called him Big Poppa.
There are countless ways to express this idea, but probably none more clever than this: “There’s gonna be a lot of slow singing and flower bringing if my burglar alarm starts ringing.” That’s the Notorious B.I.G., born Christopher Wallace, on his aptly titled 1994 song “Warning.” Biggie plays two characters on the track, one calling the other to warn him of a plot against his life and his riches.
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(Clarence Davis / NY Daily News Archive via Getty Images) A new biography by Justin Tinsley contextualizes his life and death. R.Rapper Notorious B.I.G., born Christopher Wallace, outside his mother's house in Brooklyn, 1995. Scarface, Akon and Big Gee)īreakin’ Old Habits (feat. Diddy, Nelly, Jagged Edge and Avery Storm) Snoop Dogg, Ludacris, Faith Evans, Cheri Dennis and Bobby V)ġ970 Somethin’ (feat.
for the world excluding the United States, South America and Central Amercia. Genre: Hip-Hop/Rap Release Date: DecemBiggie Ready To Die No of Tracks: 22 Copyright: ℗ 2005 Bad Boy Records, LLC for the United States and WEA International Inc.
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– Duets: The Final Chapter Album ZIP Download The Notorious B.I.G.